An introduction to the dark and eeire sounds of the diminished scale.

A little Bossa with a lot of diminished chord played three times using single line, octaves and chord melody. Suitable for beginners.

Learn about the half / whole diminished scale and improve your bending, vibrato and legato at the same time.

Different possible ways of playing diminished arpeggios in the style of Michael Romeo and Jeff Loomis.

George Lynch is one of the most instantly recognizable guitar players when you hear him. His tone and phrasing are very unique. Mr. Scary as he is often referred to has a propensity for using the diminished 5th (or flat 5th) in almost every song he has written.

A look at the popular and demonic sounding tritone - the diabolus in musica!

Using a diminished arpeggio in a Mixolydian context can really help your ideas. This lesson will show you how.

Soloing over the same backing track used for Part 1. No hard chops here, only alternate picking and 16th notes mostly, 80bpm is the tempo. There's only one tiny difference compared to Part 1 and that's time duration of each key.

Use of the same sounding dim7 chord in few minor keys.